Divine lineages · 16

Maya Mythology

Mythic realm
Yucatán & Mesoamerica
Age remembered
from c. 2000 BCE, Popol Vuh written 16th century
Names preserved
12

Maya mythology grew up between the limestone plains of the Yucatán Peninsula and the volcanic highlands of Guatemala. Its written record has a strange shape: the earliest portraits of the gods survive on Classic period (250-900 CE) stelae, painted vases, and temple inscriptions; four bark-paper codices (Dresden, Madrid, Paris, Grolier) preserve priestly almanacs and divine imagery; yet the fullest narrative was set down only after the conquest, when K'iche' nobles in the mid-16th century used the Latin alphabet to record the Popol Vuh - creation, Hero Twins, and dynastic genealogy in one book. Bishop Landa burned the Maya libraries, and his own Relación then became, by accident, a key to reading what remained.

The skeleton of this mythology is maize and recurrence. The gods made humanity three times over: people of mud dissolved, people of wood perished under the flood and a rain of burning resin, and only dough ground from white and yellow corn yielded true human beings. People are made of maize, so planting and harvest replay the myth every year. Beneath the earth lies Xibalba, the "place of fright," entered through caves and cenotes, where death lords harvest their guests with ballgames and killing houses - until the twins Hunahpu and Xbalanque beat them with fireflies, a substitute head, and one irresistible sacrifice trick. Above, the rain god Chaac strikes lightning from his axe, the aged creator Itzamna rules writing and the calendar from his sky-band throne, and the feathered serpent Kukulkan crawls down the pyramid stairway at Chichén Itzá once every equinox.

Where Mediterranean gods feud, Maya gods are out-thought: victories turn on traps, disguises, and schemes turned back on the schemer, and even the lords of death fall for a trick they begged to watch. Nor did any of it truly end - millions of Maya speakers still live on the same land, rain ceremonies still raise altars in the fields in dry years, and highland daykeepers still count the 260-day round.

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CHRONICLE OF ORIGINS · A LIVING SCROLL

Maya Mythology

Yucatán & Mesoamerica08 STAGESENTER THE MYTHIC LINEAGE ↗

The Formless Deep1 / 8

In the beginning

A flat sea and an empty sky

There was only the sky and the sea, and nothing else. The face of the sea lay flat and did not move, the sky hung empty, and nothing at all stood upright: no people, no animals, birds, fish or crabs, no trees, no stones, no canyons, no grass. There was not one sound. The earth did not yet exist, only still water in the dark.

VARIANTS, FRAGMENTS & ANCIENT SOURCES

All of this comes from one book. The Popol Vuh was written in K'iche' in the Latin alphabet by K'iche' nobles in the Guatemalan highlands around the 1550s. It says it is copied from an older Popol Vuh, but that hieroglyphic original has never been seen by anyone, and the text states outright that it is being written down now under the law of God, within Christendom. The K'iche' manuscript is lost; every modern translation goes back to the two-column transcript made by the Dominican friar Francisco Ximénez in Chichicastenango around 1701-1703 (Newberry Library, Ayer MS 1515). How much the creation-by-speech and the flood that wipes out a whole race owe to Genesis is still argued over, and the men who wrote the book had certainly read it.

This is also not 'the Maya creation myth'. Maya means some thirty languages across three thousand years, and this is one late text from one of them. Classic-period inscriptions frame things differently: Quiriguá Stela C records the setting of three hearthstones at the Three-Stone-Place on 13.0.0.0.0, 4 Ajaw 8 Kumk'u (about 3114 BCE under the GMT correlation), which opens the current era. The Popol Vuh has no Long Count and no founding of an era by stone-setting; the three hearthstones that do appear in it are the ones that leap out of the fire at the wooden people. The Yucatec Book of Chilam Balam of Chumayel has the sky falling, the world flooded, and the four Bacabs propping up the corners, which is another story again.

The seams inside the book are left showing here. The Hero Twins rise into the sky as sun and moon before the maize people exist, yet the maize people and the tribes then sit in darkness waiting for the first sunrise; and Seven Macaw calls himself the sun at a time when there is nobody to see him. The stages follow the order the book itself gives, without smoothing. Spellings follow the Ximénez-Recinos tradition (Gucumatz, Xmucane, Balam Quitzé); modern K'iche' orthography writes Q'uq'umatz, Xmukane, B'alam Ki'tze'.

Drawn fromPopol Vuh (K'iche' Maya, written c. 1550s; surviving text in the Ximénez bilingual manuscript, Newberry Library, Ayer MS 1515); Adrián Recinos, Spanish translation with notes (1947); Dennis Tedlock, Popol Vuh (1985, rev. 1996); Allen J. Christenson, Popol Vuh (2003); Quiriguá Stela C; The Book of Chilam Balam of Chumayel

Names within the leaves

12